River wakes [2021-2022]

Video trailer for River Wakes [2021-2022]

Filmed on location in the region of Virginia’s New River Valley, River Wakes is a screendance collaboration between Scotty Hardwig and Roanoke Ballet Theatre, with movement materials sourced from historical research created by Virginia Tech students and faculty as part of the Virginia Tech Sesquicentennial events. Featuring large ensemble-based partnering, the choreography investigates organic patterns that emerge from the complexity of touch-based relationships between bodies and landscape, and is structured as a series of kinetic poems celebrating the ecological histories of the New River Valley told through a hybridity of movement and cinema. River Wakes channels the earthly perceptions of time and passage through the lived experience of the body, as seventeen dancers search for joy and sensation in the darkness.

Choreography, Videography, Editing, Artistic Direction: Scotty Hardwig

Performance: LeeAnn Elder, Christa Ferguson, Sara Kosuth, Kirsten Linnen, Caitlin Smith, Will Smith, Jenni Richards, Elena Bozzone, Chloe Luneke, Noah Kargman, Cassie Williams, Christina Milne, Reagan Mihailoff, Hannah Burneka, Erin McMahon, Christina Duffy, Carrie VanOsten, and Scotty Hardwig

Music: “River Overrun” and “Septic Voices” by Scotty Hardwig ; “Hands of Earth” by Caleb Flood ; “Elegy upon the death of Thomas Farmer” and “O Solitude” by Henry Purcell, performed by Jody Pou ; “The Wife of Usher’s Well” and “Moonshiner” by Austin Moffa

Costume Design: Renee Aguilera

Videography & Creative Cartography: Mike Ryba

Creative Scholarship: Audrey Reeves

View the full work:

River Wakes [2021-2022], complete work

Support for this project was provided by:

Bob leonard and the Council on Virginia tech history

whitney engstrom and the taubman museum of art in Roanoke

the Virginia tech school of performing arts

sandra belcher, james houchins, and the patrick county recreation department

sandra meythaler and rolando sarabia

susie young and joe forte

carmen gitre and audrey reeves

sponsored by the Council on Virginia tech history and the virginia tech school of performing arts